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Rf Pin Diode Limiter
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Manley ELOP Limiter $2970 Set it and forget it! The Manley Optical ELOP Limiter makes your job easy. The principle of operation is based around using a rectified sample of the audio to shine an LED (Light Emitting Diode) onto an LDR (Light Dependent Resistor). The photo-resistor in combination with a fixed resistor simply act as a changing voltage divider to attenuate the signal &mdash like a smart volume control. A similar principle was found in the older Teletronix & Urei LA-2A, LA-3, and LA-4 units, which used a slower electro-luminescent panel-light on a conventional LDR encased in a light-tight enclosure. The Manley ELOP Limiter uses modern VACTROL technology (but with a trick!) for exact sample-to-sample tracking and no high frequency loss while digging deep into limiting &mdash problems commonly associated with older LA-series limiters and other opto-based units. The audio signal passes only through Manley's super-clean single-ended vacuum tube line amplifier. Due to its inherently quick attack, this Electro-Optical Limiter is a skilled soldier for tracking vocals or individual instruments, although now with the addition of a very useful sidechain high-pass filter that can switch between 100Hz or 200Hz (or OUT) to allow the limiter to ignore heavy bass lines, the Manley ELOP limiter is proving more useful for modern urban music where you don't want the limiter only responding to the loudest "thing" i.e., the BIG bass. If you want the bass line to leave the rest of the mix alone, then this switch is for you! |
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Langevin Stereo Elop Limiter $1620 Set it and forget it! The Langevin Stereo-Optical ELOP Limiter makes your job easy. The principle of operation is based around using a rectified sample of the audio to shine an LED (Light Emitting Diode) onto an LDR (Light Dependent Resistor). The photo-resistor in combination with a fixed resistor simply act as a changing voltage divider to attenuate the signal &mdash like a smart volume control. A similar principle was found in the older Teletronix & Urei LA-2A, LA-3, and LA-4 units, which used a slower electro-luminescent panel-light on a conventional LDR encased in a light-tight enclosure. Manley uses modern VACTROL technology (but with a trick!) for exact sample-to-sample tracking and no high-frequency loss while digging deep into limiting &mdash problems commonly associated with older LA-series limiters and other opto-based units. The Langevin limiter's audio signal passes only through Manley's super-clean single-ended vacuum tube line amplifier. Each channel can be run separately or switched to "stereo &mdash link ". Due to its inherently quick attack, this Electro-Optical Limiter is a skilled soldier for tracking vocals or individual instruments, although now with the addition of a very useful sidechain high-pass filter that can switch between 100Hz or 200Hz (or OUT) to allow the limiter to ignore heavy bass lines, the ELOP limiter is proving more useful for modern urban music where you don't want the limiter only responding to the loudest "thing" i.e., the BIG bass. If you want the bass line to leave the rest of the mix alone, then this switch is for you! ALL-DISCRETE audio path Balanced XLR inputs & outputs Unbalanced 1/4" inputs & outputs Silent conductive plastic input attenuators Max. Gain reduction 22db Attack time: 10ms for 6db GR Release: 2.5 seconds for 6db GR BYPASS switches Sifam VU METERS Meters switch to read OUTPUT or REDUCTION STEREO LINK switch |
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Manley Elop Limiter $2970 Set it and forget it! The Manley Optical ELOP Limiter makes your job easy. The principle of operation is based around using a rectified sample of the audio to shine an LED (Light Emitting Diode) onto an LDR (Light Dependent Resistor). The photo-resistor in combination with a fixed resistor simply act as a changing voltage divider to attenuate the signal &mdash like a smart volume control. A similar principle was found in the older Teletronix & Urei LA-2A, LA-3, and LA-4 units, which used a slower electro-luminescent panel-light on a conventional LDR encased in a light-tight enclosure. The Manley ELOP Limiter uses modern VACTROL technology (but with a trick!) for exact sample-to-sample tracking and no high frequency loss while digging deep into limiting &mdash problems commonly associated with older LA-series limiters and other opto-based units. The audio signal passes only through Manley's super-clean single-ended vacuum tube line amplifier. Due to its inherently quick attack, this Electro-Optical Limiter is a skilled soldier for tracking vocals or individual instruments, although now with the addition of a very useful sidechain high-pass filter that can switch between 100Hz or 200Hz (or OUT) to allow the limiter to ignore heavy bass lines, the Manley ELOP limiter is proving more useful for modern urban music where you don't want the limiter only responding to the loudest "thing" i.e., the BIG bass. If you want the bass line to leave the rest of the mix alone, then this switch is for you!All-tube audio path 12au7wa + 6414 per ch.Unbalanced " inputs and outputs andBalanced transformer coupled XLR inputs and outputsHi-current drive |
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Serial RF Transceiver Module TTL w/ Backplane Enable & State Pin $11.58 Serial Bluetooth RF Transceiver Module TTL w/ Backplane Enable & State Pin |
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Daking FET Compressor/Limiter $1445 The Daking FET 2 Compressor/Limiter is one of the best-sounding compressors around (because you don't hear it workingnone of the bad artifacts of compression, just the good), the Daking FET is designed to give you transparent performance along with the compression characteristics of highly sought-after vintage compressors well, stellar classics actually including the Neve 33609, Audio & Design Recording Compex*, and the venerable Fairchild 670. Note: The FET 2 is a single-channel compressor. However, for excellent stereo bus compression reminiscent of Neve, Fairchild, or ADR, two can be linked in stereo via a simple 1/4" -1/4" cable. Build quality The versatile Daking FET 2 Compressor/Limiter uses all-discrete transistor Class A circuits, the best transformers available, printed circuit board mounted switches and pots, and custom low distortion inductors. There is no audio in the mute, bypass, phase or pad switches. These functions are accomplished by relays with bifurcated gold contacts. Signal capacitors are precision polypropylene or ultra low-leakage electrolytic types. Circuit boards are assembled on a mil-spec assembly line. Only through-hole construction, not surface mount, is used to ensure long-term reliability and serviceability. The chassis are stainless steel for maximum RF and hum rejection and long-lasting finish. The faceplates are laminated with 10mil polycarbonate with the silk screening on the back so that the printing can never rub off. Every unit is hand finished, tested, burned in, and tested again. Also, Daking just couldn't stand to use plastic knobs, so they designed massive anodized, engraved aluminum knobs that give a much more precise and quality feel. * While Neve and Fairchild are more commonly known names in the recording industry, whose compressors have been used on countless classic and modern records for decades, Audio and Designs Recording is more of an insider's legend. ADR (Audio & Design Recording) is a British company that that made signal-processing gear in the '70s including compressors; one of which, the Compex F760FX, had a unique way of adding punch to drums. And of all the vintage compressors, is spoken about most highly in that regard. One version of the ADR compressor, the Vocal Stressor) was reputedly used on John Bonham's drums. Records such as the Knack's "My Sharonna," and albums by The Sweet, Pat Benatar (first album) had the Compex used in several roles. According to engineers who've used the original Compex, the Daking FET compressor does a fine job of providing the Compex punch. Channel Strips of the Stars: Ted Perlman Ted Perlman, renowned Grammy-winning producer, musician, arranger, engineer, and programmer, has a resume that reads like a who's who of popular music. His credits include Bob Dylan, Chicago, Burt Bacharach, Elton John, Dave Mason, Brian Wilson, Carole King, Albert Hammond, Jr. (The Strokes), Desmond Child, Young M.C., Dolly Parton, and the list goes on. Ted was kind |
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Daking Fet Compressor/Limiter $1445 The Daking FET 2 Compressor/Limiter is one of the best-sounding compressors around (because you don't hear it workingnone of the bad artifacts of compression, just the good), the Daking FET is designed to give you transparent performance along with the compression characteristics of highly sought-after vintage compressors well, stellar classics actually including the Neve 33609, Audio & Design Recording Compex*, and the venerable Fairchild 670. Note: The FET 2 is a single-channel compressor. However, for excellent stereo bus compression reminiscent of Neve, Fairchild, or ADR, two can be linked in stereo via a simple 1/4" -1/4" cable. Build quality The versatile Daking FET 2 Compressor/Limiter uses all-discrete transistor Class A circuits, the best transformers available, printed circuit board mounted switches and pots, and custom low distortion inductors. There is no audio in the mute, bypass, phase or pad switches. These functions are accomplished by relays with bifurcated gold contacts. Signal capacitors are precision polypropylene or ultra low-leakage electrolytic types. Circuit boards are assembled on a mil-spec assembly line. Only through-hole construction, not surface mount, is used to ensure long-term reliability and serviceability. The chassis are stainless steel for maximum RF and hum rejection and long-lasting finish. The faceplates are laminated with 10mil polycarbonate with the silk screening on the back so that the printing can never rub off. Every unit is hand finished, tested, burned in, and tested again. Also, Daking just couldn't stand to use plastic knobs, so they designed massive anodized, engraved aluminum knobs that give a much more precise and quality feel. * While Neve and Fairchild are more commonly known names in the recording industry, whose compressors have been used on countless classic and modern records for decades, Audio and Designs Recording is more of an insider's legend. ADR (Audio & Design Recording) is a British company that that made signal-processing gear in the '70s including compressors; one of which, the Compex F760FX, had a unique way of adding punch to drums. And of all the vintage compressors, is spoken about most highly in that regard. One version of the ADR compressor, the Vocal Stressor) was reputedly used on John Bonham's drums. Records such as the Knack's "My Sharonna," and albums by The Sweet, Pat Benatar (first album) had the Compex used in several roles. According to engineers who've used the original Compex, the Daking FET compressor does a fine job of providing the Compex punch. Channel Strips of the Stars: Ted Perlman Ted Perlman, renowned Grammy-winning producer, musician, arranger, engineer, and programmer, has a resume that reads like a who's who of popular music. His credits include Bob Dylan, Chicago, Burt Bacharach, Elton John, Dave Mason, Brian Wilson, Carole King, Albert Hammond, Jr. (The Strokes), Desmond Child, Young M.C., Dolly Parton, and the list goes on. Ted was kind |
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Radial Engineering Komit Compressor Limiter $499.99 The Radial Komit Compressor Limiter is one of the eight modules designed to be comprise the Radial Workhorse Rack and Mixer System that combines the popular 500 series platform with an incredibly flexible patching system to let you create the ultimate studio environment. The Radial Komit is a feature-rich compressor-limiter that simplifies the process of dynamic manipulation while expanding upon creative tone shaping. At one end is a super-clean compressor that delivers amazing results with single knob control. At the other, an old-school diode bridge clipping limiter goes from 'vintage to nasty'. But don't let the minimalist approach deter; the Komit provides exceptional flexibility by integrating a series of automatic functions that are both musical and intuitive.The design begins with an auto-detecting feed-forward VCA that reads the incoming program material and reacts 'real-time' to the time constant. Set the 3-position attack-decay switch to slow for vocals, medium for instruments and fast for percussion. As you increase the ratio, the Komit FlexKnee compression dynamically adjusts the pivot point, seamlessly transitioning from soft to hard knee for more natural results. Yet unlike most limiters that are designed to be transparent, the Komit Clipper is designed to introduce personality to your recordings. The Clipper simulates the sound created by old-school diode bridge circuits from the early days of radio. These clip the input signal when they exceed the headroom. Same deal only here, you are in complete control. Ten settings are graduated from mild harmonic overload to extreme nasty. Think of Nine Inch Nails.To ensure absolute signal integrity, full size discrete electronics are employed throughout while the vintage style Hammond broadcast transformers add extra warmth to the signal path. A variable level control provides gain make-up or can be used to drive the Clipper for added distortion. Dual ballistic VU metering makes it easy to simultaneously view compression and output when making adjustments. Designed for use with all 500 series racks, the Komit can be linked for full stereo operation. When used with the Radial Workhorse, the Omniport is assigned as a key input for frequency dependent compression, de-essing, ducking or any number of dynamic manipulation effects.Applications:Channel StripThe Komit is the ideal compressor to compliment a 'gold' channel strip. Feed the mic into a PowerPre, an EQ and the Komit can keep dynamics under control for more professional results. Stereo programThe Komit can be set to stereo mode by linking two Komits together. This is great for mastering. And even though the two units will share the same time constant, independent compression retains the full stereo image. DuckingUse the key input (via the Omniport on the Workhorse) to automatically duck a guitar track (lower the level) when the vocalist begins to sing. Simply connect the TRS output from the PowerPre into the Omniport key input.Single dial |
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Black Lion Audio AGB Compressor Limiter $1199 Black Lion Audio introduces another member of the BLA product line; the Black Lion Audio AGB Compressor Limiter . An homage to the venerable Neve 33609, the AGB is a two-channel diode compressor and limiter housed in a 2U rack mount chassis. Imagine a quick, responsive, low noise compressor with powerful control features. The AGB Compressor does everything from smooth and easy compression to weird rhythmic clicks to funky envelope tricks. It's insanely fast and doesn't choke when you really push it. Strap it across your drum bus and smash away. Give your snare a nice, dense crack. Use it for program material. The slower attack mode is great for vocals. Whatever you use it on, you'll find it does the job well, and without raising the noise floor. So where does their design differ from the original? For one, the signal path is a fully balanced, opamp-based circuit. Rotary potentiometers are used instead of stepped potentiometers, giving you more control over things like input level and attack time. Like the original, the Black Lion AGB uses input, interstage, and output transformers. |
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Used Daking Fet Compressor/Limiter $1314.95 The Daking FET 2 Compressor/Limiter is one of the best-sounding compressors around (because you don't hear it workingnone of the bad artifacts of compression, just the good), the Daking FET is designed to give you transparent performance along with the compression characteristics of highly sought-after vintage compressors well, stellar classics actually including the Neve 33609, Audio & Design Recording Compex*, and the venerable Fairchild 670. Note: The FET 2 is a single-channel compressor. However, for excellent stereo bus compression reminiscent of Neve, Fairchild, or ADR, two can be linked in stereo via a simple 1/4" -1/4" cable. Build quality The versatile Daking FET 2 Compressor/Limiter uses all-discrete transistor Class A circuits, the best transformers available, printed circuit board mounted switches and pots, and custom low distortion inductors. There is no audio in the mute, bypass, phase or pad switches. These functions are accomplished by relays with bifurcated gold contacts. Signal capacitors are precision polypropylene or ultra low-leakage electrolytic types. Circuit boards are assembled on a mil-spec assembly line. Only through-hole construction, not surface mount, is used to ensure long-term reliability and serviceability. The chassis are stainless steel for maximum RF and hum rejection and long-lasting finish. The faceplates are laminated with 10mil polycarbonate with the silk screening on the back so that the printing can never rub off. Every unit is hand finished, tested, burned in, and tested again. Also, Daking just couldn't stand to use plastic knobs, so they designed massive anodized, engraved aluminum knobs that give a much more precise and quality feel. * While Neve and Fairchild are more commonly known names in the recording industry, whose compressors have been used on countless classic and modern records for decades, Audio and Designs Recording is more of an insider's legend. ADR (Audio & Design Recording) is a British company that that made signal-processing gear in the '70s including compressors; one of which, the Compex F760FX, had a unique way of adding punch to drums. And of all the vintage compressors, is spoken about most highly in that regard. One version of the ADR compressor, the Vocal Stressor) was reputedly used on John Bonham's drums. Records such as the Knack's "My Sharonna," and albums by The Sweet, Pat Benatar (first album) had the Compex used in several roles. According to engineers who've used the original Compex, the Daking FET compressor does a fine job of providing the Compex punch. Channel Strips of the Stars: Ted Perlman Ted Perlman, renowned Grammy-winning producer, musician, arranger, engineer, and programmer, has a resume that reads like a who's who of popular music. His credits include Bob Dylan, Chicago, Burt Bacharach, Elton John, Dave Mason, Brian Wilson, Carole King, Albert Hammond, Jr. (The Strokes), Desmond Child, Young M.C., Dolly Parton, and the list goes on. Ted was kind |
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RPM Limiter $279.99 RPM Limiter; Hyfire; External; |
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Used Radial Engineering Komit Compressor Limiter $454.99 The Radial Komit Compressor Limiter is one of the eight modules designed to be comprise the Radial Workhorse Rack and Mixer System that combines the popular 500 series platform with an incredibly flexible patching system to let you create the ultimate studio environment. The Radial Komit is a feature-rich compressor-limiter that simplifies the process of dynamic manipulation while expanding upon creative tone shaping. At one end is a super-clean compressor that delivers amazing results with single knob control. At the other, an old-school diode bridge clipping limiter goes from 'vintage to nasty'. But don't let the minimalist approach deter; the Komit provides exceptional flexibility by integrating a series of automatic functions that are both musical and intuitive.The design begins with an auto-detecting feed-forward VCA that reads the incoming program material and reacts 'real-time' to the time constant. Set the 3-position attack-decay switch to slow for vocals, medium for instruments and fast for percussion. As you increase the ratio, the Komit FlexKnee compression dynamically adjusts the pivot point, seamlessly transitioning from soft to hard knee for more natural results. Yet unlike most limiters that are designed to be transparent, the Komit Clipper is designed to introduce personality to your recordings. The Clipper simulates the sound created by old-school diode bridge circuits from the early days of radio. These clip the input signal when they exceed the headroom. Same deal only here, you are in complete control. Ten settings are graduated from mild harmonic overload to extreme nasty. Think of Nine Inch Nails.To ensure absolute signal integrity, full size discrete electronics are employed throughout while the vintage style Hammond broadcast transformers add extra warmth to the signal path. A variable level control provides gain make-up or can be used to drive the Clipper for added distortion. Dual ballistic VU metering makes it easy to simultaneously view compression and output when making adjustments. Designed for use with all 500 series racks, the Komit can be linked for full stereo operation. When used with the Radial Workhorse, the Omniport is assigned as a key input for frequency dependent compression, de-essing, ducking or any number of dynamic manipulation effects.Applications:Channel StripThe Komit is the ideal compressor to compliment a 'gold' channel strip. Feed the mic into a PowerPre, an EQ and the Komit can keep dynamics under control for more professional results. Stereo programThe Komit can be set to stereo mode by linking two Komits together. This is great for mastering. And even though the two units will share the same time constant, independent compression retains the full stereo image. DuckingUse the key input (via the Omniport on the Workhorse) to automatically duck a guitar track (lower the level) when the vocalist begins to sing. Simply connect the TRS output from the PowerPre into the Omniport key input.Single dial |
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SPMAR7110R 7CH DSMX Heli Receiver with Rev Limiter $219.99 *Overview:*The AR7110R is Spektrum's first purpose-built receiver designed specifically for demanding heli applications. The combination of a primary internal receiver and secondary remote receiver allows the AR7110R to be installed in the best possible configuration for high-performance helis, while exposing the receiver to the greatest possible RF signal at all times. Additionally, the AR7110R features Spektrum's integrated RevLimit-TM- rpm limiter, which provides the consistent rotor speed needed for outstanding 3D performance. Complete with two user-selectable failsafe modes, a built-in 5.2V 2A voltage regulator and EC3 connectors, the AR7100R is the best choice for heli pilots looking to add the safety, security and clarity of Spektrum 2.4GHz DSM technology to their aircraft while reducing the amount of on-board equipment and simplifying installation.The AR7110 and AR7110R offer the benefits of multiple components in one compact unit, keeping your installation neat and simple.*Key Fea Type: Replacement Parts Color: Multi-Color Gender: Unisex Age: Adult |
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Travel Limiter $10.95 Progressive Suspension Travel Limiter Travel limiter for Progressive shocks Available in different sizes to suit your needs |
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DIODE $12 When these electrical items fail there is little choice but to renew - With this genuine Suzuki par.. |
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