October 30th, 2008
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Pin Diode Limiter
Pin Diode Limiter



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Avago PIN Switch/Limiter Diode, HSMP-3820, New, 25pcs Avago PIN Switch/Limiter Diode, HSMP-3820, New, 25pcs Paypal US $6.99 20d 16h 44m
Avago PIN Switch/Limiter Diode, HSMP-3820, New,Qty.3000 Avago PIN Switch/Limiter Diode, HSMP-3820, New,Qty.3000 Paypal US $404.99 4d 15h 38m
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Manley ELOP Limiter


Manley ELOP Limiter


$2970


Set it and forget it! The Manley Optical ELOP Limiter makes your job easy. The principle of operation is based around using a rectified sample of the audio to shine an LED (Light Emitting Diode) onto an LDR (Light Dependent Resistor). The photo-resistor in combination with a fixed resistor simply act as a changing voltage divider to attenuate the signal &mdash like a smart volume control. A similar principle was found in the older Teletronix & Urei LA-2A, LA-3, and LA-4 units, which used a slower electro-luminescent panel-light on a conventional LDR encased in a light-tight enclosure. The Manley ELOP Limiter uses modern VACTROL technology (but with a trick!) for exact sample-to-sample tracking and no high frequency loss while digging deep into limiting &mdash problems commonly associated with older LA-series limiters and other opto-based units. The audio signal passes only through Manley's super-clean single-ended vacuum tube line amplifier. Due to its inherently quick attack, this Electro-Optical Limiter is a skilled soldier for tracking vocals or individual instruments, although now with the addition of a very useful sidechain high-pass filter that can switch between 100Hz or 200Hz (or OUT) to allow the limiter to ignore heavy bass lines, the Manley ELOP limiter is proving more useful for modern urban music where you don't want the limiter only responding to the loudest "thing" i.e., the BIG bass. If you want the bass line to leave the rest of the mix alone, then this switch is for you!

Langevin Stereo Elop Limiter


Langevin Stereo Elop Limiter


$1620


Set it and forget it! The Langevin Stereo-Optical ELOP Limiter makes your job easy. The principle of operation is based around using a rectified sample of the audio to shine an LED (Light Emitting Diode) onto an LDR (Light Dependent Resistor). The photo-resistor in combination with a fixed resistor simply act as a changing voltage divider to attenuate the signal &mdash like a smart volume control. A similar principle was found in the older Teletronix & Urei LA-2A, LA-3, and LA-4 units, which used a slower electro-luminescent panel-light on a conventional LDR encased in a light-tight enclosure. Manley uses modern VACTROL technology (but with a trick!) for exact sample-to-sample tracking and no high-frequency loss while digging deep into limiting &mdash problems commonly associated with older LA-series limiters and other opto-based units. The Langevin limiter's audio signal passes only through Manley's super-clean single-ended vacuum tube line amplifier. Each channel can be run separately or switched to "stereo &mdash link ". Due to its inherently quick attack, this Electro-Optical Limiter is a skilled soldier for tracking vocals or individual instruments, although now with the addition of a very useful sidechain high-pass filter that can switch between 100Hz or 200Hz (or OUT) to allow the limiter to ignore heavy bass lines, the ELOP limiter is proving more useful for modern urban music where you don't want the limiter only responding to the loudest "thing" i.e., the BIG bass. If you want the bass line to leave the rest of the mix alone, then this switch is for you! ALL-DISCRETE audio path Balanced XLR inputs & outputs Unbalanced 1/4" inputs & outputs Silent conductive plastic input attenuators Max. Gain reduction 22db Attack time: 10ms for 6db GR Release: 2.5 seconds for 6db GR BYPASS switches Sifam VU METERS Meters switch to read OUTPUT or REDUCTION STEREO LINK switch

Manley Elop Limiter


Manley Elop Limiter


$2970


Set it and forget it! The Manley Optical ELOP Limiter makes your job easy. The principle of operation is based around using a rectified sample of the audio to shine an LED (Light Emitting Diode) onto an LDR (Light Dependent Resistor). The photo-resistor in combination with a fixed resistor simply act as a changing voltage divider to attenuate the signal &mdash like a smart volume control. A similar principle was found in the older Teletronix & Urei LA-2A, LA-3, and LA-4 units, which used a slower electro-luminescent panel-light on a conventional LDR encased in a light-tight enclosure. The Manley ELOP Limiter uses modern VACTROL technology (but with a trick!) for exact sample-to-sample tracking and no high frequency loss while digging deep into limiting &mdash problems commonly associated with older LA-series limiters and other opto-based units. The audio signal passes only through Manley's super-clean single-ended vacuum tube line amplifier. Due to its inherently quick attack, this Electro-Optical Limiter is a skilled soldier for tracking vocals or individual instruments, although now with the addition of a very useful sidechain high-pass filter that can switch between 100Hz or 200Hz (or OUT) to allow the limiter to ignore heavy bass lines, the Manley ELOP limiter is proving more useful for modern urban music where you don't want the limiter only responding to the loudest "thing" i.e., the BIG bass. If you want the bass line to leave the rest of the mix alone, then this switch is for you!All-tube audio path 12au7wa + 6414 per ch.Unbalanced " inputs and outputs andBalanced transformer coupled XLR inputs and outputsHi-current drive

Radial Engineering Komit Compressor Limiter


Radial Engineering Komit Compressor Limiter


$499.99


The Radial Komit Compressor Limiter is one of the eight modules designed to be comprise the Radial Workhorse Rack and Mixer System that combines the popular 500 series platform with an incredibly flexible patching system to let you create the ultimate studio environment. The Radial Komit is a feature-rich compressor-limiter that simplifies the process of dynamic manipulation while expanding upon creative tone shaping. At one end is a super-clean compressor that delivers amazing results with single knob control. At the other, an old-school diode bridge clipping limiter goes from 'vintage to nasty'. But don't let the minimalist approach deter; the Komit provides exceptional flexibility by integrating a series of automatic functions that are both musical and intuitive.The design begins with an auto-detecting feed-forward VCA that reads the incoming program material and reacts 'real-time' to the time constant. Set the 3-position attack-decay switch to slow for vocals, medium for instruments and fast for percussion. As you increase the ratio, the Komit FlexKnee compression dynamically adjusts the pivot point, seamlessly transitioning from soft to hard knee for more natural results. Yet unlike most limiters that are designed to be transparent, the Komit Clipper is designed to introduce personality to your recordings. The Clipper simulates the sound created by old-school diode bridge circuits from the early days of radio. These clip the input signal when they exceed the headroom. Same deal only here, you are in complete control. Ten settings are graduated from mild harmonic overload to extreme nasty. Think of Nine Inch Nails.To ensure absolute signal integrity, full size discrete electronics are employed throughout while the vintage style Hammond broadcast transformers add extra warmth to the signal path. A variable level control provides gain make-up or can be used to drive the Clipper for added distortion. Dual ballistic VU metering makes it easy to simultaneously view compression and output when making adjustments. Designed for use with all 500 series racks, the Komit can be linked for full stereo operation. When used with the Radial Workhorse, the Omniport is assigned as a key input for frequency dependent compression, de-essing, ducking or any number of dynamic manipulation effects.Applications:Channel StripThe Komit is the ideal compressor to compliment a 'gold' channel strip. Feed the mic into a PowerPre, an EQ and the Komit can keep dynamics under control for more professional results. Stereo programThe Komit can be set to stereo mode by linking two Komits together. This is great for mastering. And even though the two units will share the same time constant, independent compression retains the full stereo image. DuckingUse the key input (via the Omniport on the Workhorse) to automatically duck a guitar track (lower the level) when the vocalist begins to sing. Simply connect the TRS output from the PowerPre into the Omniport key input.Single dial

Black Lion Audio AGB Compressor Limiter


Black Lion Audio AGB Compressor Limiter


$1199


Black Lion Audio introduces another member of the BLA product line; the Black Lion Audio AGB Compressor Limiter . An homage to the venerable Neve 33609, the AGB is a two-channel diode compressor and limiter housed in a 2U rack mount chassis. Imagine a quick, responsive, low noise compressor with powerful control features. The AGB Compressor does everything from smooth and easy compression to weird rhythmic clicks to funky envelope tricks. It's insanely fast and doesn't choke when you really push it. Strap it across your drum bus and smash away. Give your snare a nice, dense crack. Use it for program material. The slower attack mode is great for vocals. Whatever you use it on, you'll find it does the job well, and without raising the noise floor. So where does their design differ from the original? For one, the signal path is a fully balanced, opamp-based circuit. Rotary potentiometers are used instead of stepped potentiometers, giving you more control over things like input level and attack time. Like the original, the Black Lion AGB uses input, interstage, and output transformers.

RPM Limiter


RPM Limiter


$279.99


RPM Limiter; Hyfire; External;

Used Radial Engineering Komit Compressor Limiter


Used Radial Engineering Komit Compressor Limiter


$454.99


The Radial Komit Compressor Limiter is one of the eight modules designed to be comprise the Radial Workhorse Rack and Mixer System that combines the popular 500 series platform with an incredibly flexible patching system to let you create the ultimate studio environment. The Radial Komit is a feature-rich compressor-limiter that simplifies the process of dynamic manipulation while expanding upon creative tone shaping. At one end is a super-clean compressor that delivers amazing results with single knob control. At the other, an old-school diode bridge clipping limiter goes from 'vintage to nasty'. But don't let the minimalist approach deter; the Komit provides exceptional flexibility by integrating a series of automatic functions that are both musical and intuitive.The design begins with an auto-detecting feed-forward VCA that reads the incoming program material and reacts 'real-time' to the time constant. Set the 3-position attack-decay switch to slow for vocals, medium for instruments and fast for percussion. As you increase the ratio, the Komit FlexKnee compression dynamically adjusts the pivot point, seamlessly transitioning from soft to hard knee for more natural results. Yet unlike most limiters that are designed to be transparent, the Komit Clipper is designed to introduce personality to your recordings. The Clipper simulates the sound created by old-school diode bridge circuits from the early days of radio. These clip the input signal when they exceed the headroom. Same deal only here, you are in complete control. Ten settings are graduated from mild harmonic overload to extreme nasty. Think of Nine Inch Nails.To ensure absolute signal integrity, full size discrete electronics are employed throughout while the vintage style Hammond broadcast transformers add extra warmth to the signal path. A variable level control provides gain make-up or can be used to drive the Clipper for added distortion. Dual ballistic VU metering makes it easy to simultaneously view compression and output when making adjustments. Designed for use with all 500 series racks, the Komit can be linked for full stereo operation. When used with the Radial Workhorse, the Omniport is assigned as a key input for frequency dependent compression, de-essing, ducking or any number of dynamic manipulation effects.Applications:Channel StripThe Komit is the ideal compressor to compliment a 'gold' channel strip. Feed the mic into a PowerPre, an EQ and the Komit can keep dynamics under control for more professional results. Stereo programThe Komit can be set to stereo mode by linking two Komits together. This is great for mastering. And even though the two units will share the same time constant, independent compression retains the full stereo image. DuckingUse the key input (via the Omniport on the Workhorse) to automatically duck a guitar track (lower the level) when the vocalist begins to sing. Simply connect the TRS output from the PowerPre into the Omniport key input.Single dial

Travel Limiter


Travel Limiter


$10.95


Progressive Suspension Travel Limiter Travel limiter for Progressive shocks Available in different sizes to suit your needs

DIODE


DIODE


$12


When these electrical items fail there is little choice but to renew - With this genuine Suzuki par..

Pyle LAN Tester,Multimeter and Diode Tester


Pyle LAN Tester,Multimeter and Diode Tester


$110.8


2 in 1 LAN Tester and Multimeter with Voltage, Current, Resistance, Continuity, and Diode Tester Tests Pin Configuration for 10 Base-T, 10 Base-2, RJ45/RJ11, 356A, TIA-569A/568B and Token Ring Cable Remotely Test Cables Up to 330 Yards Away Test Ground Wire Measure DC/AC Voltage, DC/AC Current, Resistance, Continuity, and Diode DC Voltage: Max Range 600 V, Accuracy +/- 0.5% AC Voltage: Max Range 600 V, Accuracy +/- 1.2% DC Current: Max Range 200 mA, Accuracy +/- 1.2% AC Current: Max Range 200 mA, Accuracy +/- 2.0% Resistance: Max Range 20 MO, Accuracy +/- 0.8% Continuity Test: Beeps If Less Than 100 O Accessories Included: Test Leads, LANtest Remote Terminator, 9V Battery, Carrying Case Dimensions: 6.38" H x 2.93" W x 1.73" D Weight: 10.86 oz.

dbx 160A Compressor/Limiter


dbx 160A Compressor/Limiter


$429.95


dbx 160A Compressor/Limiter


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Michigan Wedding Lighting Solutions

LIGHT UP YOUR WEDDING

You planned the big day with your wedding planner. Together you have tasted the food, hired the wedding entertainment, and visited the location. Perfect, what's next? Did you know that lighting design is one of the most cost effect ways to accent your important elements? Picture a room that matches with your favorite color, or even the color of your bridesmaid's dresses. Lighting can match with over 1,000,000 colors. You can dance inside a personalized name monogram, have dramatic color washes on your ceiling, or pin spot your center pieces. Most couples do not know about the benefits of lightning design when structuring their reception budget. This service can only be provided at a reasonable price by a handful of reputable vendors in Michigan.

You might not prefer a light show at your wedding, which is perfectly normal. It wouldn't be appropriate for your room to change color every two seconds. That is why most professionals recommend a choice of static colors and patterns. For example, you can even choose break up patterns. These are images like tree branches or wispy designs that make for an elegant backdrop in your photos. You have the choice of a primary and secondary color to highlight. Your guests will remember your wedding day. Most importantly, you will say “wow” when you see your room for the first time.

ARCHITECHTUAL FEATURE ANY COLORS

Lighting companies need a sample color swatch to match. When deciding on which color scheme to choose, your options will depend on which company you select. A capable lighting designer will be able to accommodate any colors at any moment during your reception. Reputable event groups use light emitting diode (LED) technology which allows for computerized control. These fixtures are more expensive than traditional gel pars, but they are worth it. Your lighting can change colors as the mood of your evening progresses. Since LED fixtures utilize low power consumption, they are also great for the environment.

KNOW YOUR LIMITATIONS

You should be able to openly discuss how your want to light up your event. It is important to take the vendor's recommendations seriously. When you communicate your expectations, they can deliver based on their limitations. Not every venue has the same architectural layout. Some halls have vaulted ceilings, while other have dark wood paneling. These and many other factors will greatly impact the approach your lighting designer takes. There are several kinds of fixtures that accomplish different things. PARs are used for longer concentrated throws, pallets have a wider beam angel, and strips fit somewhere in the middle. If your walls are a darker wood, then pipe and drape with strips might be your only option. Pallets and soft edge intelligent lights help with evenly distributing color saturation across vaulted ceilings. If you are lighting up trees and buildings outside, then IP65 rated PARs will be used to handle the elements. Depending on your budget, you should be provided with a personalized quote. Since lighting quotes are flexible, it is really easy to go up or down from there.

THE SPOTLIGHT

Personalize your grand entrance with a high intensity follow spot. This light has a computerized focused iris that can follow your bridal party all the way back to the head table. Spot lighting during your grand entrance really kicks up the wow factor. How will you put emphasis on your first dance? This formal dance has deep significance and it deserves special attention. Do you want that beautiful cake to shine in bright white? Light it up with a spotlight. If you have reflective crystals or flower petals on the cake, then guests will really take notice.

CUSTOM NAME LIGHT

These lights are made specifically for the guests of honor. You choose several designs and pick the one that you like the best. A custom gobo will then be made to display your name during the reception. You have the choice of having your name monogram projected on the wall or dance floor. How cool would it be to dance inside your name? Name lights give a very personalized feel to your event and they are also very affordable. Since the gobo is custom fabricated out of steel, you can even take it home at the end of the night as a personal memento.

TABLE PIN SPOTTING

Your spent time and money on your center pieces, how will you ensure guests really take notice of your hard work? Make your center pieces seem larger than life with table pin spotting. These fixtures are small and hidden along the edges of walls. A circular beam is aimed at the center of your tables from above, making your centerpieces come alive. Just like a custom name light, table pin spotting can easily be worked into any room lighting package.

FINAL THOUGHTS

Lighting design will have a huge impact on the outcome to your wedding reception. Your guests will give you tons of compliments and you will be happy with your decision. Lighting solutions give you the biggest bang for your buck, so it is money well spent. There are only a few reputable vendors that offer lighting service. So you should view sample work from previous events before signing a contract with a company. When talking to a lighting artist realize that their price is based off of two main factors a technician fee and fixture fee. You need to ask what is included in the final price, since it might not reflect travel expenses or design costs. If you've seen lighting at a wedding reception, you will realize it is a no-brainer.

About the Author

Robert is the entrepreneurial spirit for Encore Event Group. His team provides the Wedding DJ Michigan, lighting designs, and photo booths in Michigan that also serve Mackinac Island. Visit the following link for more information on Michigan Wedding Lighting.

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