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Biased Double Diode Limiter
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Manley ELOP Limiter $2970 Set it and forget it! The Manley Optical ELOP Limiter makes your job easy. The principle of operation is based around using a rectified sample of the audio to shine an LED (Light Emitting Diode) onto an LDR (Light Dependent Resistor). The photo-resistor in combination with a fixed resistor simply act as a changing voltage divider to attenuate the signal &mdash like a smart volume control. A similar principle was found in the older Teletronix & Urei LA-2A, LA-3, and LA-4 units, which used a slower electro-luminescent panel-light on a conventional LDR encased in a light-tight enclosure. The Manley ELOP Limiter uses modern VACTROL technology (but with a trick!) for exact sample-to-sample tracking and no high frequency loss while digging deep into limiting &mdash problems commonly associated with older LA-series limiters and other opto-based units. The audio signal passes only through Manley's super-clean single-ended vacuum tube line amplifier. Due to its inherently quick attack, this Electro-Optical Limiter is a skilled soldier for tracking vocals or individual instruments, although now with the addition of a very useful sidechain high-pass filter that can switch between 100Hz or 200Hz (or OUT) to allow the limiter to ignore heavy bass lines, the Manley ELOP limiter is proving more useful for modern urban music where you don't want the limiter only responding to the loudest "thing" i.e., the BIG bass. If you want the bass line to leave the rest of the mix alone, then this switch is for you! |
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Langevin Stereo Elop Limiter $1620 Set it and forget it! The Langevin Stereo-Optical ELOP Limiter makes your job easy. The principle of operation is based around using a rectified sample of the audio to shine an LED (Light Emitting Diode) onto an LDR (Light Dependent Resistor). The photo-resistor in combination with a fixed resistor simply act as a changing voltage divider to attenuate the signal &mdash like a smart volume control. A similar principle was found in the older Teletronix & Urei LA-2A, LA-3, and LA-4 units, which used a slower electro-luminescent panel-light on a conventional LDR encased in a light-tight enclosure. Manley uses modern VACTROL technology (but with a trick!) for exact sample-to-sample tracking and no high-frequency loss while digging deep into limiting &mdash problems commonly associated with older LA-series limiters and other opto-based units. The Langevin limiter's audio signal passes only through Manley's super-clean single-ended vacuum tube line amplifier. Each channel can be run separately or switched to "stereo &mdash link ". Due to its inherently quick attack, this Electro-Optical Limiter is a skilled soldier for tracking vocals or individual instruments, although now with the addition of a very useful sidechain high-pass filter that can switch between 100Hz or 200Hz (or OUT) to allow the limiter to ignore heavy bass lines, the ELOP limiter is proving more useful for modern urban music where you don't want the limiter only responding to the loudest "thing" i.e., the BIG bass. If you want the bass line to leave the rest of the mix alone, then this switch is for you! ALL-DISCRETE audio path Balanced XLR inputs & outputs Unbalanced 1/4" inputs & outputs Silent conductive plastic input attenuators Max. Gain reduction 22db Attack time: 10ms for 6db GR Release: 2.5 seconds for 6db GR BYPASS switches Sifam VU METERS Meters switch to read OUTPUT or REDUCTION STEREO LINK switch |
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Manley Elop Limiter $2970 Set it and forget it! The Manley Optical ELOP Limiter makes your job easy. The principle of operation is based around using a rectified sample of the audio to shine an LED (Light Emitting Diode) onto an LDR (Light Dependent Resistor). The photo-resistor in combination with a fixed resistor simply act as a changing voltage divider to attenuate the signal &mdash like a smart volume control. A similar principle was found in the older Teletronix & Urei LA-2A, LA-3, and LA-4 units, which used a slower electro-luminescent panel-light on a conventional LDR encased in a light-tight enclosure. The Manley ELOP Limiter uses modern VACTROL technology (but with a trick!) for exact sample-to-sample tracking and no high frequency loss while digging deep into limiting &mdash problems commonly associated with older LA-series limiters and other opto-based units. The audio signal passes only through Manley's super-clean single-ended vacuum tube line amplifier. Due to its inherently quick attack, this Electro-Optical Limiter is a skilled soldier for tracking vocals or individual instruments, although now with the addition of a very useful sidechain high-pass filter that can switch between 100Hz or 200Hz (or OUT) to allow the limiter to ignore heavy bass lines, the Manley ELOP limiter is proving more useful for modern urban music where you don't want the limiter only responding to the loudest "thing" i.e., the BIG bass. If you want the bass line to leave the rest of the mix alone, then this switch is for you!All-tube audio path 12au7wa + 6414 per ch.Unbalanced " inputs and outputs andBalanced transformer coupled XLR inputs and outputsHi-current drive |
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Bark Limiter Collar Strap(Pack of 1) $47.83 Bark Limiter Collar Strap - This collar strap is 3/4 inch wide and 30 inches long with a square double buckle and a metal collar keeper. - It may be trimmed to any length. This strap will fit only the Bark Limiter. |
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Radial Engineering Komit Compressor Limiter $499.99 The Radial Komit Compressor Limiter is one of the eight modules designed to be comprise the Radial Workhorse Rack and Mixer System that combines the popular 500 series platform with an incredibly flexible patching system to let you create the ultimate studio environment. The Radial Komit is a feature-rich compressor-limiter that simplifies the process of dynamic manipulation while expanding upon creative tone shaping. At one end is a super-clean compressor that delivers amazing results with single knob control. At the other, an old-school diode bridge clipping limiter goes from 'vintage to nasty'. But don't let the minimalist approach deter; the Komit provides exceptional flexibility by integrating a series of automatic functions that are both musical and intuitive.The design begins with an auto-detecting feed-forward VCA that reads the incoming program material and reacts 'real-time' to the time constant. Set the 3-position attack-decay switch to slow for vocals, medium for instruments and fast for percussion. As you increase the ratio, the Komit FlexKnee compression dynamically adjusts the pivot point, seamlessly transitioning from soft to hard knee for more natural results. Yet unlike most limiters that are designed to be transparent, the Komit Clipper is designed to introduce personality to your recordings. The Clipper simulates the sound created by old-school diode bridge circuits from the early days of radio. These clip the input signal when they exceed the headroom. Same deal only here, you are in complete control. Ten settings are graduated from mild harmonic overload to extreme nasty. Think of Nine Inch Nails.To ensure absolute signal integrity, full size discrete electronics are employed throughout while the vintage style Hammond broadcast transformers add extra warmth to the signal path. A variable level control provides gain make-up or can be used to drive the Clipper for added distortion. Dual ballistic VU metering makes it easy to simultaneously view compression and output when making adjustments. Designed for use with all 500 series racks, the Komit can be linked for full stereo operation. When used with the Radial Workhorse, the Omniport is assigned as a key input for frequency dependent compression, de-essing, ducking or any number of dynamic manipulation effects.Applications:Channel StripThe Komit is the ideal compressor to compliment a 'gold' channel strip. Feed the mic into a PowerPre, an EQ and the Komit can keep dynamics under control for more professional results. Stereo programThe Komit can be set to stereo mode by linking two Komits together. This is great for mastering. And even though the two units will share the same time constant, independent compression retains the full stereo image. DuckingUse the key input (via the Omniport on the Workhorse) to automatically duck a guitar track (lower the level) when the vocalist begins to sing. Simply connect the TRS output from the PowerPre into the Omniport key input.Single dial |
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Black Lion Audio AGB Compressor Limiter $1199 Black Lion Audio introduces another member of the BLA product line; the Black Lion Audio AGB Compressor Limiter . An homage to the venerable Neve 33609, the AGB is a two-channel diode compressor and limiter housed in a 2U rack mount chassis. Imagine a quick, responsive, low noise compressor with powerful control features. The AGB Compressor does everything from smooth and easy compression to weird rhythmic clicks to funky envelope tricks. It's insanely fast and doesn't choke when you really push it. Strap it across your drum bus and smash away. Give your snare a nice, dense crack. Use it for program material. The slower attack mode is great for vocals. Whatever you use it on, you'll find it does the job well, and without raising the noise floor. So where does their design differ from the original? For one, the signal path is a fully balanced, opamp-based circuit. Rotary potentiometers are used instead of stepped potentiometers, giving you more control over things like input level and attack time. Like the original, the Black Lion AGB uses input, interstage, and output transformers. |
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RPM Limiter $279.99 RPM Limiter; Hyfire; External; |
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Used Radial Engineering Komit Compressor Limiter $454.99 The Radial Komit Compressor Limiter is one of the eight modules designed to be comprise the Radial Workhorse Rack and Mixer System that combines the popular 500 series platform with an incredibly flexible patching system to let you create the ultimate studio environment. The Radial Komit is a feature-rich compressor-limiter that simplifies the process of dynamic manipulation while expanding upon creative tone shaping. At one end is a super-clean compressor that delivers amazing results with single knob control. At the other, an old-school diode bridge clipping limiter goes from 'vintage to nasty'. But don't let the minimalist approach deter; the Komit provides exceptional flexibility by integrating a series of automatic functions that are both musical and intuitive.The design begins with an auto-detecting feed-forward VCA that reads the incoming program material and reacts 'real-time' to the time constant. Set the 3-position attack-decay switch to slow for vocals, medium for instruments and fast for percussion. As you increase the ratio, the Komit FlexKnee compression dynamically adjusts the pivot point, seamlessly transitioning from soft to hard knee for more natural results. Yet unlike most limiters that are designed to be transparent, the Komit Clipper is designed to introduce personality to your recordings. The Clipper simulates the sound created by old-school diode bridge circuits from the early days of radio. These clip the input signal when they exceed the headroom. Same deal only here, you are in complete control. Ten settings are graduated from mild harmonic overload to extreme nasty. Think of Nine Inch Nails.To ensure absolute signal integrity, full size discrete electronics are employed throughout while the vintage style Hammond broadcast transformers add extra warmth to the signal path. A variable level control provides gain make-up or can be used to drive the Clipper for added distortion. Dual ballistic VU metering makes it easy to simultaneously view compression and output when making adjustments. Designed for use with all 500 series racks, the Komit can be linked for full stereo operation. When used with the Radial Workhorse, the Omniport is assigned as a key input for frequency dependent compression, de-essing, ducking or any number of dynamic manipulation effects.Applications:Channel StripThe Komit is the ideal compressor to compliment a 'gold' channel strip. Feed the mic into a PowerPre, an EQ and the Komit can keep dynamics under control for more professional results. Stereo programThe Komit can be set to stereo mode by linking two Komits together. This is great for mastering. And even though the two units will share the same time constant, independent compression retains the full stereo image. DuckingUse the key input (via the Omniport on the Workhorse) to automatically duck a guitar track (lower the level) when the vocalist begins to sing. Simply connect the TRS output from the PowerPre into the Omniport key input.Single dial |
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Millennia TCL-2 Twincom Stereo Compressor / Limiter $3221.99 The Millennia TCL-2 Twincom is an ultratransparent, 2-channel opto-compressor/limiter. The Twincom delivers Class-A biased all-discrete J-FET solid-state operation or Class-A biased all-triode vacuum tube operation at the touch of a switch.The TCL-2 Twincom stereo compressor/limiter with Twin Topology is Millennia's innovative new merging of vacuum tube and solid state circuit topologies. A front panel switch selects between a complete vacuum tube audio path or a fully discrete solid-state audio path - in the same chassis. Both circuit topologies are entirely transformerless, high voltage, and minimalist.The Twincom has only one active stage in the audio signal path for greater sonic integrity and heightened musical reality. This stage is optimized as an input buffer, dynamics amplifier, and output driver. Greatly increased musical clarity is achieved as precious audio signals are spared from successively colored amplifier stages.The Twincom is also designed as an entirely balanced circuit. The balanced input signal remains balanced from input to output, avoiding the need for audio transformers or additional amplifiers in the signal path.Why transformerless? Transformers add coloration to audio signals; coloration which is not conducive to sonic purity. Via innovative design techniques, the Twincom avoids audio transformers entirely, allowing the remarkable musicality of Class-A triode dynamics without the unavoidable sonic artifacts common to signal path transformers.The solid-state aspect of Twin Topology consists of 100% Class-A all discrete J-FET (field effect transistor) amplifiers. The vacuum tube aspect of Twin Topology employs 300 volt, 100% Class A, hand-tested and selected triode vacuum tubes. To use the vacuum tube amplifier, simply press a front panel switch. To use the solid-state amplifier, press the switch again. Both topologies are designed to deliver musical optimization with individual character.The Twincom offers illuminated push-button switches, machined aluminum knobs, extruded and radiused face plate (nearly 3/8" thick), and a stylish "TT" logo deeply engraved into every panel. The Twincom employs exquisite high voltage amplifiers free of transformer coupling, carefully designed around the finest grades of passive components (Vishay pots, Roederstein resistors, Wima and Electrocube capacitors, Neglex OFC audio cabling, gold tube connectors and relay contacts, silver Teflon power wiring, large Sifam true audio level meters, etc.). |
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Millennia Tcl-2 Twincom Stereo Compressor / Limiter $3230.99 The Millennia TCL-2 Twincom is an ultratransparent, 2-channel opto-compressor/limiter. The Twincom delivers Class-A biased all-discrete J-FET solid-state operation or Class-A biased all-triode vacuum tube operation at the touch of a switch.The TCL-2 Twincom stereo compressor/limiter with Twin Topology is Millennia's innovative new merging of vacuum tube and solid state circuit topologies. A front panel switch selects between a complete vacuum tube audio path or a fully discrete solid-state audio path - in the same chassis. Both circuit topologies are entirely transformerless, high voltage, and minimalist.The Twincom has only one active stage in the audio signal path for greater sonic integrity and heightened musical reality. This stage is optimized as an input buffer, dynamics amplifier, and output driver. Greatly increased musical clarity is achieved as precious audio signals are spared from successively colored amplifier stages.The Twincom is also designed as an entirely balanced circuit. The balanced input signal remains balanced from input to output, avoiding the need for audio transformers or additional amplifiers in the signal path.Why transformerless? Transformers add coloration to audio signals; coloration which is not conducive to sonic purity. Via innovative design techniques, the Twincom avoids audio transformers entirely, allowing the remarkable musicality of Class-A triode dynamics without the unavoidable sonic artifacts common to signal path transformers.The solid-state aspect of Twin Topology consists of 100% Class-A all discrete J-FET (field effect transistor) amplifiers. The vacuum tube aspect of Twin Topology employs 300 volt, 100% Class A, hand-tested and selected triode vacuum tubes. To use the vacuum tube amplifier, simply press a front panel switch. To use the solid-state amplifier, press the switch again. Both topologies are designed to deliver musical optimization with individual character.The Twincom offers illuminated push-button switches, machined aluminum knobs, extruded and radiused face plate (nearly 3/8" thick), and a stylish "TT" logo deeply engraved into every panel. The Twincom employs exquisite high voltage amplifiers free of transformer coupling, carefully designed around the finest grades of passive components (Vishay pots, Roederstein resistors, Wima and Electrocube capacitors, Neglex OFC audio cabling, gold tube connectors and relay contacts, silver Teflon power wiring, large Sifam true audio level meters, etc.).Two signal paths in one chassis--vaccum tube and discrete solid stateEntirely Class-A Twin Topology designUltrapremium components throughoutGold relays, connectors, and tube socketsSilver/Teflon power wiring, OFC audio wiring |
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Are Textbooks Biased? $32.86 No Synopsis Available |
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DIODE $12 When these electrical items fail there is little choice but to renew - With this genuine Suzuki par.. |
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